Skip to main content

SHIVALOGANATHAR TEMPLE - TIRUPUNGUR

 NANDIN MOVES TO A SIDE FOR A VIEW OF THE LORD, FOR NANDANAAR.





Sri Sivaloganathar temple – Tirupungur. Tamilnadu.
In the 7th century a dalit(Untouchable) who was born in a place called Adanoor, used to be a farm help or an agricultural labour, apart from doing odd jobs including that of a drummer, a village servant, a watchman, a town crier who used to beat drums, a leather mender who used to make the leather pliable for drums. He was from the Pulayar caste.


Pulayars are noted for their music, craftsmanship, and for certain dances which include Kōlam-thullal, a mask dance which is part of their exorcism rituals, as well as the Mudi-attam or hair-dance which has its origins in a fertility ritual.

This untouchable became the great devotee of Lord Shiva and was listed as the 18th Nayanar in the list of 63 Nayanars. His name was Nandanaar.
Nandanaar would postpone his journey to Chidambaram to see the celestial dance of Lord Shiva in the form of Nataraja. Every day he would say “I will go tomorrow” and hence was also called Thiru Nalai Povar Nayanar.


3 KMs away from the Vaideeswaran Koil Temple Is the town named Tirupungur.The town got its name from the Punga Maram or Punga tree(Pongamia Pinnata).There is a temple dedicated to Lord Shiva known as Sivaloganathar along with his consort Soundarya Nayaki.
Nandanaar, was standing before the gate of the Temple of Sivaloganathar in Tirupungur. He could not see the lord as the Nandi (Shiva’s Bull) was blocking his view. As a dalit ( lower cast) he was not allowed to enter the Temple in those ages. So great was his bhakthi that, Lord Shiva asked Nandi to move aside so that, Nandanaar can view the Lord from outside the gate. Along with the Nandi even the Dhwaja Sthamba & Bali Peetham is moved to the right.
In the Temple, the big Nandi has moved to the right. Even the Adhikara Nandi is moved to the right paving a way for Nanadanaar to have a darshan of the Lord.


The temple has a 5 Tiered Gopuram on the eastern side. Which leads to an open compound and at the end of the compound is the Nandi Mandapam where a huge sized Nandi is placed de- linear to the Rajagopuram and Sanctum. The Dwarapalakars, instead of their heads held high in a gambhira mudra, are in a head bent position acknowledging the advent of Shri Nandanaar.
Mooving ahead you come to the Mukhamnadapam with a huge space for circumbulation. Past this is the Ardhamandapam and the Sanctum Sanctorum of Lord Sivaloganathar in the form of a Swayambhu Lingam in an anthill,facing east. Post the Darshan and cirumbulating the lord, you find shrines of various gods and goddess in the inner prahara. At the end of the inner prahara is the Sanctum of the goddess Soundarya Nayaki.
There are 3 theerthams or ponds attached with the temple. One was built by Nandanar himself & lord Vinayaga is supposed to have helped him in digging up the pond. Hence there is a shrine for Vinayaga who is also know as “Kulam Vettiya Vinayagar”
Temple Timing : 6.00 AM to 11.00 AM & 4.00 to 8.30 PM.
Temple Contact Number :9486717634

Comments

Popular posts from this blog

DHARBHARANYESHWARAR TEMPLE - SHANI ( SATURN) - TIRUNALLAR

Dharbharanyeswarar Temple,Tirunallar –Shani(Saturn) Tirunallar Saniswaran Temple  or  Dharbharanyeswarar Temple  is a Shiva temple dedicated to Lord Dharbharanyeswar. There is a shrine dedicated to Shani (saturn) located in the Temple in Tirunallar town in Karaikal district of Pondicherry. The presiding deity is Lord Shiva, ( Dharbaranyeswar)  and the place Tirunallar  was historically called Dharbaranyam. The presiding deity, Lord Shiva in the form of   a swayambhu lingam coming out of Darbha grass hence known as Dharbaranyeswarar. His consort is Praneshwari. The worship is also centered around the icon of planet saturn, called Shani, originally treated as the door keeper of the shrine. According to Hinduism, saturn resides in each  rasi (zodiac) for two and half years. The tradition is to worship Shani before entering the inner sanctum of Lord Siva. Kings in the past had donated milch cows for the upkeep of the temple. From the cowherd community a cowherd(Idayan) was selected

KAMAKSHI AMMAN TEMPLE - THE NAVEL OF GODDESS SHAKTHI - KANCHIPURAM

  Sri Kanchi Kamakshi Amman Temple - The Navel of Goddess Shakthi. Bhandasura the evil Asura was tormenting Indra and the devas. The devas prayed to Shakti in the form of a Parrot, residing on a Champaka Vriksha (Magnolia Champaka) at Kanchi. Hearing the plea of the devas, the goddess Kamakshi appeared from the Bila Dwara and destroyed the evil asura in this place. The bila dvara leading to bilakasha or Mahameru can be seen today in front of the tapomagna kamakshI sannidhi inside the garbhagriha of the Kamkshi Temple. The Kamakshi AmmanTemple is an ancient Temple dedicated to Goddess Kamakshi, the ultimate form of Shakthi. It is located in the historic city of Kanchipuram The Temple in all probability was built by the Pallava Kings, whose capital was Kanchipuram. The temple is one of the 51 Shakthi Peetham and is associated with the Navel of the Goddess, the Goddess was prayed to by Adi Shankara. Kamakshi, Meenakshi & Akilandeswari from Kanchipuram, Madurai & Thiruvanaikoil re

ELEPHANTA CAVES PART 3 - THE CELESTIAL MARRIAGE - SHIVA - GHARAPURI -

GHARAPURI  - ELEPHANTA CAVES 3 THE MARRIAGE OF SHIVA AND PARVATHI - attended by relatives, Gana’s, Rishi’s and Deva’s. SHIVA's marriage to PARVATHI, who is standing to his right. SATI who is reborn as PARVATHI to a father who  adores her, does penance to LORD SHIVA to attain him, SHIVA is pleased with the Penance of Parvathi and decides to marry her King HIMAVAN the father, who loves UMA or PARVATHI his daughter, gives her in marriage to SHIVA as SUNDARA. Parvathi Stands on the right hand side of Shiva before marriage. HIMAVAN along with his wife MENA ( MAINA)  placing Uma’s hand in the hands of the LORD SUNDARA.  PARVATHI’s brother MT. MAINAK   with a Kalash (Pot) in his hand and CHANDRA (MOON) behind him. Parvathi is bedecked in Jewels and even Shiva  is crowned and jeweled with necklace and he is holding the sash of his garment which is flowing up to his ankle. A coy PARVATHI bedecked with jewels,SHIVA with a beautiful crown,necklace and yagyopavitham. Sitt